The Society of Designer Craftsmen is excited to be working with Elliot Payne Architects to ensure the Society continues to be the success it is today. To help secure our future, we are currently fundraising to refurbish our headquarters in London's vibrant Shoreditch to provide a members gallery for public exhibitions and creative spaces where members can meet clients and take part in workshops.
Much of the history of European ceramics is the attempt to imitate Chinese porcelain. The Ottoman Turks covered buff clay with white slip and a clear glaze. The Moors brought opaque white tin glaze into Spain, from where it spread to Italy, the Netherlands, central Europe and England. Meanwhile, there were experiments in porcelain, adding … Continue reading WEDGWOOD’S CREAMWARE
On a visit to Lisbon I found that the azulejo tradition is not only more deeply rooted in Portugal's culture than I realised but that it remains alive and is being continually renewed. The Lisbon metro has been decorated in azulejos over the last twenty years, using modern techniques like screen printing and styles and … Continue reading QUERUBIM LAPA
I discover good ceramists every day. Here are two pieces by Vivien Moir, a Scottish artist. She trained as an illustrator at Jordanstone College of Art and Design and lives on the west coast of Scotland. I found these images on the website of the Water Street Gallery in Todmorden, and the Heinzel Gallery in … Continue reading VIVIEN MOIR, FAUX NAIVE ILLUSTRATION IN THE DELFT TRADITION
I took some Associate Members of the Craft Potters Association to the Fitzwilliam Museum in Cambridge on Tuesday, to view and handle seven ceramics from their collection. The Fitzwilliam has one of the best ceramics collections in Britain and doesn't have room to display them all, so we were able to see some that aren't … Continue reading A LUCY RIE BOWL AT THE FITZWILLIAM MUSEUM
I was familiar with reproductions of Manet's Déjeuner sur l'herbe (above) long before I saw it in the Musée d'Orsay but however blasé I was the impact of its size (more than two metres by three) and the juxtaposition of the naked woman with the clothed men was great.In the Fitzwilliam Museum in Cambridge, which has … Continue reading MANET’S CERAMIC CONNECTION
Before we went to Rome, I broke a ceramic figurine of sentimental value. I should have packed it, because one of our finds was Squatriti, this doll's hospital in the Via di Ripetta. It's not the sort of thing you look for, but it's typical of the unexpected things you come across while wandering in … Continue reading SQUATRITI: AN OLD DOLL’S HOSPITAL IN ROME