In 1964 The Tate Gallery had an exhibition devoted to Hans Arp. It’s taken them almost sixty years to catch up with his more interesting wife Sophie Taeuber-Arp in the latest exhibition recovering the reputations of neglected women artists. (I wrote earlier about the recent MAK exhibition Women Artists of the Wiener Werkstätte.)
Sophie Taeuber-Arp is revealed here as embodying perhaps more than anyone else the idea of the Unity of the Arts, moving easily between painting, architecture, interior design, sculpture, tapestry, rug-making, jewellery, costume and puppetry. She also trained as a dancer with Laban and there is a dancer’s sense of movement and fun in her abstract compositions. She was never a painter descending to decoration or a craft worker trying to elevate her status – she believed absolutely that all art was of significance.