WALTER CRANE IN HUNGARY (3)

The Budapest Museum of Applied Arts included this sketch (above) by Walter Crane in Masters of the Secession, showing Crane, left, and the director of the museum, Jenő Radisics, right, riding hobby horses, with an unidentified Frenchman in the middle, as judges at the Turin Exhibition of Decorative Art in 1902. Radisics had been instrumental in mounting the large Crane exhibition in Budapest a couple of years earlier, and here they meet again.

Jenő Radisics, 1911

Radisics made large acquisitions of contemporary art and is largely responsible for the museum’s having such a large collection of Art Nouveau. He toured Europe tirelessly, dressed in Hungarian ceremonial costume at public events (as he is in Crane’s sketch) and spent generously. He acquired the entire Alexandre Bigot pavilion at the Paris Exhibition of 1900, which remained in store until 2013, when much of it was put on display.

Alexandre Bigot, architectural ceramics, acquired by Radisics in 1900 and seen on display here in 2015.

Crane’s visit to Hungary was more strenuous than I realised: as well as visting Budapest and Kolozsvár he saw the Zsolnay ceramics factory in Pécs. The Museum of Applied Arts has a Zsolnay lustre vase (below) decorated by Géza Nikelszky, who, it says, was probably inspired by Crane’s visit in October 1900.

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