I’m looking at photos in the Central St Martins archive showing the ceramics class and students’ work in the mid 20th century, to find images to borrow for the exhibition about Dora Billington that I’m curating at the Crafts Study Centre.
The archive has artefacts as well as documents and I was amazed to find that they have a collection of the pigments Billington used. They are in paper packets and they’re dated, some with dates from the 1920s when she started teaching at the Central. They are remarkable because Billington, who had no children, has left no archive and no personal effects and nothing if her survives apart from her own pottery, which will form the core of the exhibition.
The pigments might not have survived. The archivist told me that Billington left some of her effects to Ian Auld, whom she’d taught and who had worked as her technician. Auld married Gillian Lowndes, of a later generation of Central students (and the most original ceramist of that period.) Auld and Lowndes died several years ago, but their daughter thoughtfully donated this interesting item.