The Oxford Dictionary of National Biography (DNB) is filling the gaps in its coverage of notable women and pottery is benefitting from the addition. I have been asked to write entries for Mary Wondrausch and Dora Billington.
Mary Wondrausch, who died in 2016, is well known to studio potters, especially those who are interested in slipware. She was important in its revival and wrote about it in a scholarly way (Mary Wondrausch on Slipware, A & C Black, 2001). Dora Billington (1890-1968), the most significant studio pottery educator in the 20th century, is less well known, even though some of her most eminent students (Alan Caiger-Smith, Gordon Baldwin and Anne Wynn-Reeves) are still alive. She began teaching pottery in the style of Alfred and Louise Powell but in the 1920s she responded immediately to the new pottery of Staite Murray and Bernard Leach. Her most important contribution came after the Second World War when studio pottery seemed to be full of second-rate Leach imitators. Taking her inspiration from the European tradition, she-encouraged new ways of making, notably the tin-glazed pottery of Caiger Smith, Wynn-Reeves and William Newland, and the sculptural ceramics of Baldwin and Gillian Lowndes. Her Technique of Pottery (1962) is still worth reading.
Perhaps there are other entries that could be written on women potters. The DNB has articles on Katherine Pleydell-Bouverie, Lucie Rie and Gillian Lowndes, but nothing at the moment on Louise Powell, Nell Vyse, Dora Lunn, Stella Crofts, Nora Braden, Ursula Mommens or Helen Pincombe.