I learned today of the death of Murray Fieldhouse, an important figure in post-war studio pottery who edited the magazine Pottery Quarterly, the first periodical on the subject, which came out irregularly from the mid-1950s to the early 1980s. He was also one of the founder members of the Craft Potters Association.
Murray was born in 1925, and after an unconventional wartime national service, when he became a pacifist, he alighted on the crafts as a way of living out his Utopian and anti-establishment ideals. The choice of pottery came later. He served an apprenticeship with Harry Davis in Cornwall, who was also an anti-establishment Utopian, but more austere in his habits than Murray, who was well-known for his enjoyment of life.
In the 1950s, Murray ran Pendley Manor, an education centre in Hertfordshire to which he invited most of the top names in studio pottery to demonstrate. When I was researching the life of Dora Billington, he gave me some photos of her demonstrating there.
Pottery Quarterly in its early days contained reviews of everything that was happening in British pottery and it is an important record of the period, but Murray was a fierce advocate of the Leach style of pottery and his reviews of exhibitions by potters who didn’t follow it became harsher over the years. Nevertheless, he was a close friend of William Newland, who was not in the Leach circle and didn’t like his artistic dominance.
Another of Murray’s initiatives was the Dacorum and Chiltern Potters Guild, of which he remained honorary president until 2009, when he retired and the job passed to Mervyn Fitzwilliam.